Sage is an artist, educator, and writer living in St. Louis, Missouri. Her work examines the history of cartographic rendering: mapping to investigate collective experiences, sublimity, and the distinct identities of spaces. Sage draws from community projects, radical cartography, and the landscape itself to document and present lost, abandoned, and forgotten sites.
Sage completed an MFA in Printmaking from the University of New Mexico. Her work was recently featured in From Here to There published by Princeton Architectural Press and Cosmologies of the Self in Elephant Magazine.
Recent exhibitions were held at the University of Toledo, the International Print Center New York, the University of Pennsylvania, Boston University, Pratt MWP School of Art, the Urban Institute for Contemporary Art, Washington University, Wright State University, and Lehman College (CUNY) in New York City.
Sage is also a contributor to Printeresting, an online
authority on all things print-related, where she reviews exhibitions and
interviews fine art presses in the USA. She also writes at Temporary Art Review, an art critical publication focusing on alternative projects and disparate art communities.
Sage has worked on curatorial projects at both the Albuquerque Museum of Art and History and the University of New Mexico Art Museum. Notable exhibitions she’s assisted include Nato Thompson’s Experimental Geography, Desire for Magic: Patrick Nagatani Retrospective, and The Shape of Time: Photographs of Star Axis by Edward Ranney.
To learn more, please visit SageDawson.com.
Sage completed an MFA in Printmaking from the University of New Mexico. Her work was recently featured in From Here to There published by Princeton Architectural Press and Cosmologies of the Self in Elephant Magazine.
Recent exhibitions were held at the University of Toledo, the International Print Center New York, the University of Pennsylvania, Boston University, Pratt MWP School of Art, the Urban Institute for Contemporary Art, Washington University, Wright State University, and Lehman College (CUNY) in New York City.
Sage is also a contributor to Printeresting, an online
authority on all things print-related, where she reviews exhibitions and
interviews fine art presses in the USA. She also writes at Temporary Art Review, an art critical publication focusing on alternative projects and disparate art communities. Sage has worked on curatorial projects at both the Albuquerque Museum of Art and History and the University of New Mexico Art Museum. Notable exhibitions she’s assisted include Nato Thompson’s Experimental Geography, Desire for Magic: Patrick Nagatani Retrospective, and The Shape of Time: Photographs of Star Axis by Edward Ranney.
To learn more, please visit SageDawson.com.
